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NIGHTMARE |
| DROGAN'S NIGHTMARE
| 1998 |
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The
Bienal building, a large futuristic cement warehouse with glass
floor to ceiling windows, was a perfect site for a sci-fi story.
There are three characters in this narrative: Janet (my voice),
Drogan (George), and the Machine voice (a slowed-down woman’s
voice). It is about a character named Drogan and a woman that discovers
him in a warehouse strapped to a bed controlled by machines. (The
title and characters were taken from a short story written by George
in the 1980s.)
sound of cathedral, prayers
Janet The windows have been
broken, they’re covered in cardboard. People are huddled in little
groups by fires. I see rows of beds, filled with naked bodies attached
to wires and tubes.
Drogan I Am I there ? Can you
see me ?
Janet This
place smells like raw sewage and burnt meat. barking
dogs No one
sees me. It’s like I’m invisible. someone
yells hello
Janet Stop, wait for
a minute.
Janet
yells ‘Hello’ in space, then other people yell hello. then a singer
walks by singing a Brazilian folk song about a pair of caged birds. the bird’s
owner has plucked the eyes of the male one out so that the bird will sing more
beautifully, but the bird sings about how sad it is that he will never see
his lover again
[...]
Janet I remember walking through
the market. sound of market
Machine 5. 4. 3. 2. 1. sound of bomb explosion, crashing glass
Janet I’m
afraid of these images that go through my mind, destroying things. A car runs
you over. A knife to my throat, falling down stairs, bite into your flesh,
pushed against the wall, fist to your face, choke you with my tongue, drowning
in puke.
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In
Drogan’s Nightmare, Cardiff built a kind of contemporary arcadia – an
ideal place, a landscape for reflection, introspection, a place for
a life of the mind. While artists from the classical era imagined it
as a paradisical place, an idealized space where man was in harmony
with nature and culture, Cardiff ’s walk, on the other hand, reveals
a disenchantment with consciousness. Starting in the XXIV Bienal de
São
Paulo, Cardiff took visitors outside for a walk, where they became
enmeshed in a plot that took them on a short journey into the interior
of the park, but also, into the characters’ interior. In the end,
the visitors are left in the woods opposite the stream, with the memory,
or perhaps delusional image of a moment that becomes enlightened by
the desire between two human beings. The tour takes the visitors back
to the starting point without the conclusion of the story into which
they were taken.
Ivo
Mesquita |
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| WALK EXCERPTS |
| ***The tracks must be listened with headphones for the full
3-D effect*** |
| Excerpt #1 |
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JANET CARDIFF
Audio walk, 12 min.
Curated by Ivo Mesquita for XXIV Bienal de São
Paulo.
São Paulo, Brazil |
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