| |
| HOME
> WALKS > PS
1 WALK |
| PS 1 WALK |
2001 |
PREVIOUS
WALK | NEXT
WALK |
 |
|
| |
George
and I produced this walk during the installation of a major survey
show at the P. S. 1 Contemporary Art Museum in New York just after
9 / 11. It was a very strange, intense time. The walk was a reflection
of the various things that happened while we were installing the
show, like meeting a jazz singer, Queen Ester, who I hired to sing
Somewhere Over the Rainbow, overhearing conversations in restaurants,
and recording the P. S. 1 guards doing their special in-house language
and their rapping as they waited out the long hours in the museum
hallways. But one very strange element was a message left on Carolyn’s
home phone machine that became a kind of central keystone for the
piece. Definitely a wrong number.
sfx of recording from Carolyn’s machine: ‘Hey Bitch … you
better stop messin’ with my husband or I’ll kill you.’ … sfx
of scary music as you go downstairs
Janet Let’s look out
this window. There he is … getting out of his car. Now he’s
coming towards the building. Let’s keep going down the stairs … and
down again.
Janet Now go behind
the stairs. Here it is. This is the place. Sit down and wait … Close
your eyes.
sound of fly then crickets fade up
Janet It was night. I was
walking from the barn to the house. I remember seeing giant fireflies
bobbing up and down in the darkness of the fields. I stopped and watched
and realized it was only the head lamps on the immigrant workers as
they picked worms from the dirt. Why am I thinking of this right now
...
sound of man walking into stairwell above you.
slowly coming downstairs towards you then footsteps come right up beside
you
Janet Shssh.
whispering Let’s
go. To the right then up the stairs... breathing
hard ... cross
over the stairwell and go to the right, out into the hallway. Walk
straight ahead, down the hallway ...
Janet This morning there
was a group of about 20 men standing outside the building. As I walked
through them my heart started to beat really fast. I held my breath
and tried to concentrate on moving my legs, one step after another
while ignoring the men as if they were all invisible.
|
| |
| |
|
|
| |
| WALK EXCERPTS |
| ***The tracks must be listened with headphones for the full
3-D effect*** |
|
|
|
CARDIFF & MILLER
Audio walk, 10:38
Curated by Carolyn Christov-Bakargiev for Janet Cardiff. A Survey of Works Including
Collaborations with George Bures Miller.
P. S. 1 Contemporary Art Center, Queens, New York, USA. |
|